. “Baby Talk” . © 2002-2020 jananddean-janberry.com. All … Both were as much architects of sound as they were musicians, with definite ideas about the shape of the sound they wanted. Beginning in the 1970s with the release of the Legendary Masters double LP, their music has been heavily anthologized, and the 1990s saw the reissue of their entire Liberty Records LP catalog on CD, as well as more compilations. Even though it wasn't a hit for Liberty, the duo's career at the new label was made -- the company signed them, and over the next two years, Jan & Dean kept releasing singles in a doo wop vein, trying to emulate the success of their three hit singles. Audio CD Amazon's Choice for Jan and Dean. Pop duo who captured the sound of California surf music during the '60s with commercial and artistic success. The four of them ran through several demos before finding "Baby Talk," which Jan & Dean recorded in Berry's home studio, exactly like "Jennie Lee," before adding on the full backing band. They first performed on stage as The Barons at a high school dance. Updated more than any other Jan & Dean site, we offer the ultimate in Jan & Dean resource material. He would experiment with them by splicing parts of each take together, coming up with completed versions that were larger than the sum of the individual parts. The duo also decided to get some help from a pair of new producers -- Lubin having run out his string with them at Arwin -- Herb Alpert, a jazz trumpet player with major ambitions, and his songwriting partner, Lou Adler, who got them onto the Dore Records label. While they lacked the Beach Boys' depth and capacity for artistic growth, Jan and Dean's hits from 1963 and 1964 -- which also included "The Little Old Lady (From Pasadena)," "Drag City," "Honolulu Lulu," and the mini-soap opera "Dead Man's Curve" -- are in the same class as the Beach Boys' early work in their infectious, energetic invocation of good times and California sunshine. Young people who weren't from California certainly wanted to be there after hearing this song about heading to the beach, and many of them did. Dean-Ormsby Torrence was born in 1940s. Jan Berry and Dean Torrence began singing together after football practice at University High School in Los Angeles in the late 1950s. Sales. “Drag City” . In the early 1960s, they were pioneers of the California Sound and vocal surf music styles popularized by the Beach Boys. When he'd first met Berry, Wilson was trying to shape the group's sound as well as writing or co-writing most of the songs and playing bass on-stage. It's pleasant summery filler that's not nearly up to the level of their best stuff. We are to help people jump out of there comfort zone to have a Happy, Healthy,Stress- free lifestyle! Released after Jan Berry's auto accident effectively halted the career of the duo, this is a hodgepodge of odds and ends from their back catalog, going all the way back to "Tennessee" and all the way up to their cover of "Norwegian Wood" (which wasn't going to give Lennon and McCartney any sleepless nights). All rights reserved. Not one of them charted higher than number 69, however, and it seemed as though Jan & Dean had run out their string. "Jennie Lee" was a promising start, made more so by the brash, defiant sound of the singing, which seemed to embody the essence of teenage attitude. Cut in early 1963 with Wilson also singing on it, "Surf City," released in March of that year, became Jan & Dean's first number one single. 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